
The Red-Haired Boy
Misc tunes
The Little Beggar Man
2 min 8 sec · Score #144159
Open scoreTuneViva lists three scores for the tune Red Haired Boy, each filed under miscellaneous tunes with no composer named. All three open with a key signature of two sharps; two are notated in 2/2 and one in 4/4. Because no reference sources are available for this page, the guidance below stays with what the scores themselves show — key, metre and how the versions differ — rather than the tune's history or origins.
Scores 1–20 of 20

Misc tunes
The Little Beggar Man
2 min 8 sec · Score #144159
Open score
Misc tunes
the Little Beggar Man
2 min 8 sec · Score #81838
Open score
Misc tunes
1 min 4 sec
Open score
Misc tunes
Red Haired Boy
2 min 4 sec
Open score
Misc tunes
2 min 8 sec · Score #65337
Open score
Misc tunes
2 min 8 sec · Score #146702
Open score
Misc tunes
1 min 4 sec · Score #33454
Open score
Misc tunes
1 min 10 sec
Open score
Misc tunes
1 min 20 sec
Open score
Misc tunes
the Little Beggar Man
2 min 8 sec · Score #131082
Open score
Misc tunes
1 min 4 sec · Score #132589
Open score
Misc tunes
2 min 8 sec · Score #250946
Open score
Misc tunes
The Little Beggar Man
2 min 8 sec · Score #158147
Open score
R-50Irish
2 min 8 sec
Open score
Misc tunes
1 min 25 sec
Open score
Misc tunes
The Little Beggar Man
2 min 8 sec · Score #216502
Open score
Misc tunes
2 min 39 sec
Open score
Misc tunes
the Little Beggar Man
2 min 8 sec · Score #97327
Open score
Misc tunes
2 min 8 sec · Score #218927
Open score
Misc tunes
the Little Beggar Man
2 min 8 sec · Score #233875
Open scoreEvery Red Haired Boy score on this page begins with a two-sharp key signature, which on the staff indicates either D major or B minor; the tune's opening and closing notes will settle which. Metre is split: two scores are in 2/2 (cut time) and one is in 4/4. Both put four quarter notes in a bar on paper, but 2/2 counts two half-note beats, which usually gives a tune a broader stride and stronger accent on the strong beats. If you are used to counting a tune in four, the cut-time versions will feel like a different pulse even though the bar lengths match.
The three Red Haired Boy scores differ in metre and in the amount of notation they contain: two are cut-time settings with 194 and 190 notes, and one is a 4/4 setting with 220 notes and a shorter listed playing time. Note counts describe how much is written in a particular score, not how hard the music is, and listed durations come from individual files and may not reflect a real performance. Open each score and compare the first phrase before deciding which one to work from.
None of the three Red Haired Boy scores names a composer, and none specifies an instrument; each contains a single part. Nothing in the supplied material documents the tune's origin, its regional versions or its usual instrumentation, so this page does not make claims about them. Use the notation — key, metre, clef and range — as your guide, and look for a cited source if you need background on the tune itself.
Catalogue duration 2 min 8 sec. Opening key signature: 2 sharps. Opening time signature: 2/2.
Catalogue duration 2 min 8 sec. Opening key signature: 2 sharps. Opening time signature: 2/2.
Catalogue duration 1 min 4 sec. Opening key signature: 2 sharps. Opening time signature: 4/4.
Each of the three Red Haired Boy scores on this page opens with a key signature of two sharps, which on the staff corresponds to D major or B minor. A key signature alone does not decide between the two, so check the opening and closing notes of the setting you are playing to confirm which applies.
Two of the three Red Haired Boy scores here open in 2/2 (cut time) and one opens in 4/4. Both metres contain four quarter-note beats to the bar on paper, but 2/2 groups them into two half-note beats, which typically gives a tune a broader, more heavily accented feel than counting in four.
No composer is named for Red Haired Boy on this page; all three scores are credited to miscellaneous tunes. The scores therefore offer no evidence about the tune's authorship or origins, and this page makes no claim about either.
The versions differ in title wording, metre and length. Two are cut-time settings with 194 and 190 notes; the third is in 4/4 with 220 notes and a shorter listed playing time. Comparing the opening bars side by side is the quickest way to see whether they are close variants or noticeably different settings.
The three Red Haired Boy scores each contain a single part and do not name an instrument or a clef-specific arrangement. Check the clef, range and any chord symbols in a score before assuming it suits fiddle, flute, mandolin, guitar or another instrument.
Cut time, written 2/2, keeps four quarter notes in the bar but counts two half-note beats instead of four. For a traditional tune, that usually means a steadier two-beat pulse with the accent falling on beats one and three, rather than a four-beat count that can sound hurried at the same written tempo.