T. Martin Towne: gospel songs for revival and Sunday school
T. Martin Towne wrote for the American revival and Sunday-school market, and the catalogue samples that work: 40 scores, about 22 minutes of music and 12,685 notated notes. Eighteen entries carry lyrics; the rest are instrumental or melody settings.
Nothing here runs long. Nineteen scores sit at complexity index 1, 15 at index 2 and only six at index 0, so the page leans towards part-writing rather than unison refrains. Though Temptation, the Envoy of Wrath and Sing, O Sing, Little Ones Sing lead the viewing figures, followed by Unbar the Door of Your Heart Tonight.
- 40Scores
- 22 minutesMusic (approx.)
- 12,685Notated notes
- 18Scores with lyric notation
About T. Martin Towne
Thomas Martin Towne was born at Coleraine on 30 May 1835, the son of Arad Towne, a vocal music teacher, and Tryphenia McCloud. Sources differ over whether the town was in Vermont or Massachusetts. He attended Williston Seminary at Easthampton, went to Hudson, New York, in 1855 and then Albany, taught at Ypsilanti and Detroit, and settled at Janesville, Wisconsin, before moving to Chicago, where he married Belle Kellogg. A doctor and teacher as well as a composer, he sang with the Continentals and died in Chicago on 4 April 1912.
His career ran through the songbook trade rather than the concert hall. He compiled or co-edited Good Will (1878) with Jairus M. Stillman, The International Lesson Hymnal (1878) with David Cook, Choir Anthems (1880), Anthems of Joy (1891) and Pentecostal Hymns around 1905, and wrote cantatas including The Message of Christmas. One of his most popular songs was a Civil War piece, Old Abe the Battle Eagle, from 1865.
The titles here are typical of the genre: an invitation in Unbar the Door of Your Heart Tonight, a warning in O Sinner, God Is Calling Thee, a children's song in Sing, O Sing, Little Ones Sing and a Christmas piece in Good Will to Men. No text authors are credited on the files. Eighteen of the 40 scores carry lyrics, all are filed as classical, and the whole group runs to only about 22 minutes, which is what short strophic hymns add up to.
Listening and playing notes
These are short strophic gospel songs, often with a refrain, so most of the interpretive work is in the words. Keep the tempo steady and let the refrain gain weight without a ritardando. Where a score is in four parts, the inner voices mostly move by step; tune them carefully instead of doubling the melody. Check the range before assigning verses, since several titles sit high for a congregation, and a transposition is usually more practical than a rewritten accompaniment.
Selected scores
Though Temptation, the Envoy of Wrath
The most-viewed score here: a warning hymn in strophic verses, with no text author named.
Sing, O Sing, Little Ones Sing
A children's Sunday-school song; the file's mixed capitalisation is tidied in the display title only.
Unbar the Door of Your Heart Tonight
An invitation hymn built on the open-door image of Revelation 3:20.
Voyager over Life's Storm Fretted Sea
A life-as-voyage hymn, and one of the longer titles in the group.
We Come to Worship Thee, O Holy One
A worship opening addressed to God in the second person, suited to the start of a service.
O What Are You Doing for Jesus
A revival appeal to the undecided, with a refrain.
Let Down Your Net Tonight, O Brother
Its title borrows the fishing miracle of Luke 5 for an evangelistic invitation.
A song of love - T. Martin Towne
A short sacred song; the catalogue gives no text author or hymnal source.
For Salvation Are You Praying
A question-and-answer hymn in the revival manner, with a refrain.
All Around on Every Side There's Work to Do
A Sunday-school worker's song; the file's apostrophe is kept.
Questions about T. Martin Towne
How many T. Martin Towne scores are on TuneViva?
40, running to about 22 minutes of music and 12,685 notated notes. Eighteen of them include lyrics.
Was Towne a professional church musician?
He earned his living as a doctor and teacher; the songbooks were a parallel career, and he sang with the Continentals while editing collections from the 1870s onwards.
Why do so many titles read like first lines?
Gospel songbooks indexed hymns by their opening line, and the catalogue keeps those titles. Unbar the Door of Your Heart Tonight and For Salvation Are You Praying are examples.
Which of his songbooks are documented?
Good Will (1878) with Jairus M. Stillman, The International Lesson Hymnal (1878) with David Cook, Choir Anthems (1880), Anthems of Joy (1891) and Pentecostal Hymns around 1905, among others.
Browse all 40 scores
Catalog editions and arrangements attributed to T. Martin Towne.