
Hunt The Squirrel
Misc tunes
24 sec · Score #199409
Open scoreHunt The Squirrel sheet music appears here in three scores, with titles that vary between Hunt The Squirrel, Hunting The Squirrel and the Squirrel Hunters. The available scores show two different opening profiles: two 6/8 settings in A major and one 4/4 setting with two sharps. No composer or instrumentation is named, so compare the scores themselves before deciding which version fits your instrument or ensemble.
Scores 1–20 of 30

Misc tunes
24 sec · Score #199409
Open score
Misc tunes
1 min 28 sec
Open score
Misc tunes
24 sec
Open score
Misc tunes
48 sec · Score #161467
Open score
Misc tunes
48 sec · Score #225025
Open score
Misc tunes
24 sec
Open score
Misc tunes
1 min 20 sec
Open score
Misc tunes
12 sec
Open score
Sussex Archaeological Soc MS
1 min 28 sec
Open score
Misc tunes
31 sec
Open score
Misc tunes
1 min 4 sec
Open score
Misc tunes
23 sec · Score #204858
Open score
Misc tunes
1 min 4 sec
Open score
Misc tunes
31 sec
Open score
Misc tunes
24 sec
Open score
Misc tunes
1 min 5 sec
Open score
Sussex Archaeological Soc MS
1 min 4 sec
Open score
Misc tunes
24 sec · Score #39448
Open score
Misc tunes
23 sec · Score #63307
Open score
Trad.
24 sec
Open scorePage 1 of 2
The three scores listed under Hunt The Squirrel are not titled identically. Two are titled Hunting The Squirrel and Hunt The Squirrel and open in A major with a 6/8 time signature; the third, the Squirrel Hunters, opens with two sharps in 4/4. Those details are the clearest way to distinguish the available settings, but they do not confirm that all three are the same tune.
The score titled the Squirrel Hunters has the longest stated duration, at about 88 seconds. The two 6/8 settings are each listed at about 24 seconds. A duration can describe a particular rendering or excerpt rather than the full piece, so use it alongside the key and time signature rather than as a complete description of the music.
No instrumentation is named for any of the three scores. The listings give opening key, time signature, tempo and duration, but not the instrument, ensemble or number of parts. Inspect the score itself for clef, range and layout before assuming it is suitable for fiddle, flute or another melody instrument.
No supplied source identifies the origin, composer, genre or musical character of Hunt The Squirrel. The title alone should not be treated as evidence of a particular tradition, dance type or programme. The most reliable information available here is the score-level detail: two 6/8 settings in A major and one 4/4 setting with two sharps.
Catalogue duration 24 sec. Opening key signature: 3 sharps (A major). Opening time signature: 6/8.
Catalogue duration 1 min 28 sec. Opening key signature: 2 sharps. Opening time signature: 4/4. Opening tempo: 87.5 BPM.
Catalogue duration 24 sec. Opening key signature: 3 sharps (A major). Opening time signature: 6/8.
The available scores do not settle that question. One score is titled the Squirrel Hunters, while the other two are titled Hunting The Squirrel and Hunt The Squirrel. Without a supplied source identifying them as versions of one tune, treat them as related titles rather than confirmed duplicates.
Two scores titled Hunting The Squirrel and Hunt The Squirrel open in A major with a 6/8 time signature. A separate score titled the Squirrel Hunters opens with two sharps in 4/4 and is marked at 87.5 BPM. These details describe the openings only, not the full course of each piece.
Among the three listed scores, the Squirrel Hunters has the longest stated duration at about 88 seconds. The two 6/8 settings are each listed at about 24 seconds. Duration labels can reflect a particular rendering rather than the full piece, so compare the scores themselves.
Both 6/8 settings listed under Hunt The Squirrel begin in A major, with three sharps. That makes them the relevant choice for a reader looking specifically for a 6/8 setting in A; check the score for any later key or metre changes.
No supplied source explains the title, origin or character of Hunt The Squirrel. The scores name no composer and give no genre, so the title alone should not be treated as evidence of a specific tradition, dance type or programme.
No instrumentation is stated for any of the three scores. The listings give opening key, time signature, tempo and duration, but not the instrument or ensemble, so players should inspect the score before assuming it is for fiddle, flute or another melody instrument.