
La Belle Catherine
Misc tunes
1 min 15 sec
Open scoreLa Belle Catherine appears here in three sheet-music versions, all listed without a credited composer. The versions differ in opening key and time signature, so the quickest way to choose is to compare the first bars of each score and match the key and pulse to your instrument, voice or ensemble.
Scores 1–20 of 29

Misc tunes
1 min 15 sec
Open score
Misc tunes
Muffin Man. VWMLa.186 The
32 sec
Open score
Misc tunes
Belle CatherineLa. HSJJ.184
39 sec · Score #13721
Open score
Misc tunes
1 min 22 sec
Open score
Misc tunes
31 sec
Open score
Misc tunes
1 min 3 sec · Score #66560
Open score
Misc tunes
1 min 40 sec
Open score
Misc tunes
1 min 26 sec
Open score
Misc tunes
5 sec
Open score
Misc tunes
32 sec · Score #85847
Open score
Misc tunes
47 sec · Score #116400
Open score
Misc tunes
1 min 3 sec
Open score
Misc tunes
47 sec · Score #157151
Open score
Misc tunes
1 min 53 sec · Score #248960
Open score
Misc tunes
32 sec
Open score
Misc tunes
1 min 3 sec · Score #112665
Open score
Misc tunes
1 min 53 sec · Score #138159
Open score
Misc tunes
Belle CatherineLa. HSJJ.184
39 sec · Score #147188
Open score
Misc tunes
1 min 18 sec
Open score
Misc tunes
32 sec · Score #58971
Open scorePage 1 of 2
The listed La Belle Catherine scores are not identical settings. One opens in G major with one sharp, one has no sharps or flats in its opening key signature, and one opens in D major with two sharps. Two versions open in 2/4 and one in 4/4, so the bar grouping and pulse differ as well as the key.
If you are playing La Belle Catherine with other musicians, check the opening key signature before selecting a score. The G major and D major versions will not combine directly with the version that opens with no sharps or flats unless someone transposes. For solo reading, choose the key that suits your instrument or voice.
Two of the titles include suffixes, HSJJ.184 and VWMLa.186, while the third uses the plain title La Belle Catherine. Treat these suffixes as record-specific labels that distinguish the versions; they are not part of the musical title as such.
No composer is credited for La Belle Catherine in these scores, and the records do not name a date, region of origin, or specific instrumentation. The three versions should therefore be treated as separate scores of a tune rather than as proof of a single authoritative text.
Catalogue duration 1 min 15 sec. Opening key signature: 2 sharps (D major). Opening time signature: 4/4. Opening tempo: 150 BPM.
Catalogue duration 32 sec. Opening key signature: No sharps or flats. Opening time signature: 2/4. Opening tempo: 120 BPM.
Catalogue duration 39 sec. Opening key signature: 1 sharp (G major). Opening time signature: 2/4. Opening tempo: 100 BPM.
La Belle Catherine is presented here as a piece with three sheet-music versions. The available scores credit no composer, and two titles carry index-style suffixes, HSJJ.184 and VWMLa.186, alongside the plain title.
The scores available for La Belle Catherine do not name a composer; the composer field is marked unavailable. Any attribution would need support from a reliable source outside these records.
La Belle Catherine appears in different keys in the listed scores: one version opens in G major with one sharp, one has no sharps or flats in its opening key signature, and one opens in D major with two sharps. The key you choose depends on the version and on the instrument or voice you are matching.
Two of the listed La Belle Catherine scores open in 2/4, while the third opens in 4/4. That difference changes how the bars are grouped and how the pulse is felt, so compare the openings before deciding which score to use.
The three La Belle Catherine scores differ in key signature, time signature and length, so they are not identical settings. Two titles include suffixes, HSJJ.184 and VWMLa.186, which distinguish those records from the plain-titled version.
The listed La Belle Catherine scores do not specify instrumentation, and each contains a single track. The records therefore do not establish whether the piece is intended for a particular instrument, a duo, or a larger ensemble.
The opening tempos marked in the three La Belle Catherine scores are 100, 120 and 150 BPM. Those are starting indications for individual versions, not a fixed tempo for the piece.