
The Opera Reel
Misc tunes
1 min 4 sec · Score #205530
Open scoreThree separate scores appear under the title Opera Reel in this selection. They differ in their opening key signatures and metres: two begin in D major with two sharps, and one begins with no sharps or flats; one score is marked 2/2, another 4/4, and the third has no time signature listed. No composer is credited for any of the three, and the listings attribute them to “Misc tunes”. Compare the key and metre details before choosing a version to play.
Scores 1–20 of 29

Misc tunes
1 min 4 sec · Score #205530
Open score
Misc tunes
56 sec
Open score
Misc tunes
2 min 8 sec · Score #67698
Open score
Misc tunes
1 min 4 sec · Score #150739
Open score
Misc tunes
1 min 4 sec · Score #2539
Open score
Misc tunes
1 min 4 sec · Score #53462
Open score
Misc tunes
1 min 4 sec · Score #101509
Open score
Misc tunes
1 min 4 sec
Open score
Misc tunes
8 sec
Open score
Misc tunes
32 sec
Open score
Misc tunes
32 sec
Open score
Misc tunes
2 min 7 sec
Open score
Misc tunes
48 sec
Open score
Misc tunes
1 min 4 sec · Score #126719
Open score
Misc tunes
2 min 8 sec · Score #146437
Open score
Traditional
34 sec
Open score
Misc tunes
2 min 8 sec · Score #199095
Open score
Misc tunes
2 min 8 sec · Score #21191
Open score
Misc tunes
2 min 12 sec
Open score
Misc tunes
15 sec
Open scorePage 1 of 2
The score listed as “Opera Reel” (ID 67698) opens in D major with two sharps and is marked 2/2. “Opera Reel.” (ID 170516) also opens in D major with two sharps but has no time signature listed. “The Opera Reel” (ID 205530) opens with no sharps or flats and is marked 4/4. These details describe only the opening of each score; they do not confirm the key or metre throughout.
A key signature of two sharps indicates D major or B minor, with F-sharp and C-sharp in the key signature. A score with no sharps or flats may be in C major or A minor, depending on the music. Because the catalogue lists only the opening key signature, check the score itself for any later key changes before treating D major or C major as the overall key.
“Opera Reel” is a tune title, and the word “reel” refers to a tune type rather than to a stage opera. The listings do not name a composer, region, source, or historical period for this particular tune, so the title alone should not be read as evidence of an operatic origin or of a specific tradition.
If you are comfortable reading two sharps, the D major versions give you one tonal option; the no-sharps version gives you another. The metre also matters: a 2/2 marking suggests a counted pulse in minims, while 4/4 suggests four crotchet beats to the bar. Check both the key and the metre against your instrument, ensemble, or singing range before deciding which score to use.
Catalogue duration 1 min 4 sec. Opening key signature: No sharps or flats. Opening time signature: 4/4.
Catalogue duration 56 sec. Opening key signature: 2 sharps (D major).
Catalogue duration 2 min 8 sec. Opening key signature: 2 sharps (D major). Opening time signature: 2/2.
Two of the three scores listed as Opera Reel open in D major with two sharps, while the third opens with no sharps or flats. Those are opening key signatures only, so the music may change key later in the score.
One Opera Reel score is marked 2/2, another is marked 4/4, and the third has no time signature listed. The metre affects how the tune is counted and felt, so compare the markings if you are choosing between versions.
The three Opera Reel scores differ in opening key and metre, so they are not identical settings. The listings do not say whether they are variants of one tune or separate tunes that share the same title.
A reel is a tune type, usually associated with dance music in quick duple time. The title Opera Reel uses that term, but the listings do not identify a region, source, or composer for this particular tune.
The D major scores use F-sharp and C-sharp in the key signature, while the no-sharps score uses natural F and C unless accidentals appear. Choose the version whose key and metre suit your instrument, ensemble, or singing range.
The listings do not identify an original or earliest version of Opera Reel, and no composer is credited. Treat the three scores as separate versions rather than assuming that one is authoritative.