
Orange and Blue
Misc tunes
24 sec · Score #195961
Open scoreSeveral scores are listed under Orange and Blue, including one titled The Orange And Blue. The listed scores differ in opening key and time signature, which makes key and metre the most practical starting points when choosing a version.
Scores 1–20 of 29

Misc tunes
24 sec · Score #195961
Open score
Misc tunes
1 min 57 sec · Score #50734
Open score
Misc tunes
32 sec · Score #44840
Open score
Misc tunes
Brochan LomThin Porridge
32 sec · Score #173250
Open score
Misc tunes
Brochan LomThin Porridge
32 sec · Score #194263
Open score
Misc tunes
32 sec · Score #7116
Open score
Misc tunes
32 sec · Score #142217
Open score
Misc tunes
32 sec · Score #103788
Open score
Misc tunes
1 min 4 sec · Score #147561
Open score
Misc tunes
25 sec
Open score
Misc tunes
34 sec
Open score
Misc tunes
24 sec · Score #120760
Open score
Misc tunes
1 min 57 sec · Score #240308
Open score
Misc tunes
48 sec
Open score
Misc tunes
32 sec · Score #33049
Open score
Misc tunes
24 sec · Score #128964
Open score
Misc tunes
Brochan LomThin Porridge
32 sec · Score #208438
Open score
Misc tunes
1 min 4 sec · Score #81497
Open score
Misc tunes
24 sec · Score #91502
Open score
Misc tunes
Brochan LomThin Porridge
32 sec · Score #198357
Open scorePage 1 of 2
The selected scores share the title Orange and Blue or The Orange And Blue but open differently: one in G major in 4/4, one in A major in 4/4 at 64 BPM, and one with no sharps or flats in 6/8. Note counts and durations describe those individual scores rather than a definitive length for the work.
If you are playing with a singer or ensemble, match the opening key to the part you have; the listings include G major, A major and a score with no sharps or flats. The 4/4 and 6/8 openings present different beat groupings, so read the metre before deciding which score suits your reading. The records do not establish that any one version is the original.
No composer is credited in the supplied records. The title appears with and without “The”, but the evidence does not explain whether these are variant titles for the same piece, different settings, or unrelated tunes. Treat composer attributions and historical claims as unverified unless confirmed by an authoritative edition.
One listed score gives an opening tempo of 64 BPM and a much longer duration than the other two. That tempo belongs to that score’s opening, not necessarily to every version. Use it as a starting point for that version and adjust to the performing context.
Catalogue duration 24 sec. Opening key signature: No sharps or flats. Opening time signature: 6/8.
Catalogue duration 1 min 57 sec. Opening key signature: 3 sharps (A major). Opening time signature: 4/4. Opening tempo: 64 BPM.
Catalogue duration 32 sec. Opening key signature: 1 sharp (G major). Opening time signature: 4/4.
No composer is credited for Orange and Blue in the available score records. The listings name Misc tunes as artist and give no composer, so a named composer cannot be confirmed from this evidence. Consult a verified edition or reference source before attributing the piece.
Listed scores titled Orange and Blue include one opening in G major in 4/4, one opening in A major in 4/4 at 64 BPM, and one opening with no sharps or flats in 6/8. These are distinct scores, not necessarily different works. The records do not say which, if any, is the original version.
Both G major and A major appear as opening keys among the listed Orange and Blue scores, and a third score opens with no sharps or flats. The records do not identify one original key, so choose the score whose key suits the performer or ensemble you are working with.
Orange and Blue is listed with both 4/4 and 6/8 openings. The 4/4 scores group beats differently from the 6/8 score, so check the metre at the start of a chosen score rather than assuming one time signature applies to every version.
The available records do not establish an original version of Orange and Blue. Composer, original instrumentation and the relationship between the listed scores are not confirmed, so the scores should be treated as separate versions until an authoritative edition identifies otherwise.
One listed score is titled The Orange And Blue, while the others are titled Orange and Blue. The records do not explain whether the difference reflects a variant title, a different setting or a separate tune. Compare the title and opening details when choosing between scores.