
14. Wonderful World
Paul Rubens
The Balkan Princess
Sopran; Piano · 6 min 51 sec
Open scoreThe Balkan Princess is represented here by three vocal-and-piano scores naming Paul Rubens as composer: “14. Wonderful World”, “Here in stately queue”, and “18. A Man’s a Man”. Each is an individual titled number with different voice parts and opening markings, so compare the versions before choosing.
Scores 1–20 of 20

Paul Rubens
The Balkan Princess
Sopran; Piano · 6 min 51 sec
Open score
Paul Rubens
The Balkan princess
Soprano; Alto; Tenor +2 parts · 3 min 17 sec
Open score
Paul Rubens
The Balkan Princess
Tenor; Kvinner; Menn +1 parts · 6 min 6 sec
Open score
Paul Rubens
The Balkan Princess
Magda; Piano · 1 min 0 sec
Open score
Paul Rubens
The Balkan Princess
Tenor; Kvinner; Menn +1 parts · 4 min 2 sec
Open score
Paul Rubens
The Balkan Princess
Sofia; Soprano; Alto +3 parts · 4 min 27 sec
Open score
Paul Rubens
The Balkan Princess
Olga; Soprano; Alto +3 parts · 5 min 9 sec
Open score
Paul Rubens
The Balkan princess
Soprano; Alto; Tenor +2 parts · 43 sec
Open score
Paul Rubens
The Balkan Princess
Grand Duke; Sopran; Alt +3 parts · 7 min 52 sec
Open score
Paul Rubens
The Balkan Princess
Magda; Blatz; Piano · 2 min 8 sec
Open score
Paul Rubens
The Balkan Princess
Piano · 50 sec
Open score
Paul Rubens
The Balkan Princess
Sofia; Magda; Carmen +4 parts · 3 min 59 sec
Open score
Paul Rubens
The Balkan Princess
Blatz; Hein; Piano · 3 min 36 sec
Open score
Paul Rubens
The Balkan Princess
Tenor; Kvinner; Menn +1 parts · 58 sec
Open score
Paul Rubens
The Balkan princess
Soprano; Alto; Tenor +2 parts · 5 min 11 sec
Open score
Paul Rubens
The Balkan Princess
Princess; Tenor; Bass +1 parts · 5 min 1 sec
Open score
Paul Rubens
The Balkan Princess
Kvinner; Menn; Piano · 3 min 36 sec
Open score
Paul Rubens
The Balkan Princess
Princess; Blatz; Soprano +4 parts · 6 min 31 sec
Open score
Paul Rubens
The Balkan princess
Soprano; Alto; Tenor +2 parts · 46 sec
Open score
Paul Rubens
The Balkan Princess
Piano · 50 sec
Open scoreThe available scores are separate titled numbers rather than a single complete presentation. “14. Wonderful World” is listed for soprano and piano; “Here in stately queue” is labelled SATB and lists soprano, alto, tenor, bass and piano; “18. A Man’s a Man” lists tenor, Kvinner, Menn and piano. Choose by the voice parts and number you need rather than assuming one score covers the whole work.
All three scores include piano and voices, but the vocal layouts differ. “Wonderful World” is the most compact listing, with soprano and piano only. “Here in stately queue” uses an SATB disposition. “A Man’s a Man” combines tenor with the parts labelled Kvinner and Menn, plus piano.
“14. Wonderful World” opens with no sharps or flats, in 3/4, at a listed 110 BPM. “Here in stately queue” opens with one flat, in 4/4, at 100 BPM. “18. A Man’s a Man” opens with two flats, in 4/4, at 80 BPM. These are opening markings for the individual scores and may not describe later changes.
Historical context for Paul Rubens and authoritative identification of the work would require separate verification.
Score parts: Sopran, Piano. Catalogue duration 6 min 51 sec. Opening key signature: No sharps or flats. Opening time signature: 3/4. Opening tempo: 110 BPM.
Score parts: Soprano, Alto, Tenor, Bass, Piano. Catalogue duration 3 min 17 sec. Opening key signature: 1 flat. Opening time signature: 4/4. Opening tempo: 100 BPM.
Score parts: Tenor, Kvinner, Menn, Piano. Catalogue duration 6 min 6 sec. Opening key signature: 2 flats. Opening time signature: 4/4. Opening tempo: 80 BPM.
Every non-empty composer field on these files reads Paul Rubens.
Paul Rubens is named as composer on each of the three available scores: “14. Wonderful World”, “Here in stately queue”, and “18. A Man’s a Man”. The listings supply that credit; independent confirmation was not provided.
The available scores are “14. Wonderful World”, “Here in stately queue” (labelled SATB Rubens), and “18. A Man’s a Man”. These are three selected numbers; the evidence does not show whether they make up the complete work.
“14. Wonderful World” is listed for soprano and piano. Its opening is in 3/4 with no sharps or flats, at a listed tempo of 110 BPM.
The score labelled “Here in stately queue SATB Rubens” lists soprano, alto, tenor, bass and piano parts. The opening is in 4/4 with one flat and a tempo of 100 BPM.
“18. A Man’s a Man” lists tenor, Kvinner, Menn and piano. The opening is in 4/4 with two flats and a tempo of 80 BPM.
“14. Wonderful World” opens with no sharps or flats in 3/4 at 110 BPM; “Here in stately queue” opens with one flat in 4/4 at 100 BPM; “18. A Man’s a Man” opens with two flats in 4/4 at 80 BPM. These are opening markings only and may not describe later changes.
The available scores do not identify The Balkan Princess as an opera, operetta or musical.