
The Boys of the Town
Misc tunes
24 sec · Score #101540
Open scoreLook for sheet music for The Boys of the Town and you will find short settings of a tune with no composer attached. The scores gathered here are listed under the name 'Misc tunes', and each opens in G major with a 6/8 time signature. Because no writer, editor or date is credited, this page is best used to read and compare the available notations rather than to identify one definitive text of the tune.
Scores 1–20 of 46

Misc tunes
24 sec · Score #101540
Open score
Misc tunes
24 sec · Score #194372
Open score
Misc tunes
24 sec · Score #231755
Open score
after Sgt. J. O'Neill
26 sec
Open score
Misc tunes
24 sec · Score #116794
Open score
Misc tunes
2 min 0 sec
Open score
Misc tunes
24 sec · Score #223087
Open score
Misc tunes
30 sec · Score #117394
Open score
Misc tunes
32 sec
Open score
Misc tunes
30 sec · Score #63082
Open score
Misc tunes
Tarmon's Polka
16 sec
Open score
Misc tunes
29 sec · Score #138767
Open score
Misc tunes
24 sec · Score #175556
Open score
Misc tunes
24 sec · Score #197765
Open score
Misc tunes
24 sec · Score #2405
Open score
Misc tunes
29 sec · Score #3530
Open score
Misc tunes
24 sec · Score #4755
Open score
Misc tunes
30 sec · Score #6713
Open score
Misc tunes
24 sec · Score #22340
Open score
Misc tunes
24 sec · Score #56555
Open scorePage 1 of 3
Each setting of The Boys of the Town opens with a key signature of one sharp, F sharp, which indicates G major, and a 6/8 time signature. These details describe how the music is written at the start of the scores; they are not evidence of an original key or of how the tune was first performed. No composer is named for any of the settings, and the credited artist is given only as 'Misc tunes', so the tune arrives without a documented author.
6/8 is compound duple metre: two main beats to the bar, each normally divided into three eighth notes. For a tune written this way, the natural feel is two lilting beats rather than six evenly stressed notes, which is why counting in two usually makes more sense than counting in six. The scores carry no tempo marking, so the pace is a matter for the player's judgement; a listed running time should not be read as a recommended speed.
The available settings share a key and metre, so the differences lie in the notation itself. Compare the opening phrase, the cadences at the end of each part and any ornamental or passing notes, and pick the version whose shape suits how you intend to use it, whether for reading through, teaching or arranging. Note counts alone say little about musical quality, and none of the settings is identified as an editor's preferred text.
The scores do not name a composer, date, region of origin, tune type or intended instrument. 6/8 time sits comfortably with jig rhythm, but a time signature by itself does not make a tune a jig, and no labelling in the available material settles the question. No supporting reference material was supplied for historical or biographical claims, so this page asserts none.
Catalogue duration 24 sec. Opening key signature: 1 sharp (G major). Opening time signature: 6/8.
Catalogue duration 24 sec. Opening key signature: 1 sharp (G major). Opening time signature: 6/8.
Catalogue duration 24 sec. Opening key signature: 1 sharp (G major). Opening time signature: 6/8.
The Boys of the Town is written in G major, a key with a single sharp (F sharp), and in 6/8 time. Those details describe the opening of the available settings rather than a confirmed original key.
No composer is credited for The Boys of the Town.
A 6/8 signature gives two main beats per bar, each normally divided into three eighth notes, so The Boys of the Town is felt in two rather than in six. Counting 'one-two-three, four-five-six' with weight on the first and fourth eighth notes produces the compound pulse, and because no tempo marking appears, the pace is left to the player.
Nothing in the available scores labels The Boys of the Town as a jig or any other dance type. Compound duple 6/8 metre is common in jigs and the tune's two-in-a-bar lilt would suit that rhythm, but the time signature alone does not establish the form, so the tune type stays unconfirmed.
None of the available settings of The Boys of the Town is marked as authoritative. No editor, manuscript source or date is named, so each setting stands on its own; comparing phrases, cadences and ornaments and choosing the one that fits your purpose is more reliable than assuming one is definitive.