
The Lark in the Morning
Misc tunes
1 min 24 sec · Score #69186
Open scoreThe Lark in the Morning sheet music is represented here by three scores in different settings: two in 6/8 (D major and G major) and one 4/4 "2nd Setting" with no sharps or flats. One score carries the credit "after Sg't J. O'Neill"; the others name no composer. Compare metre, key and title before choosing a version.
Scores 1–20 of 60

Misc tunes
1 min 24 sec · Score #69186
Open score
Misc tunes
48 sec · Score #26480
Open score
after Sg't J. O'Neill
26 sec
Open score
Misc tunes
17 sec
Open score
Misc tunes
49 sec · Score #250826
Open score
Misc tunes
1 min 24 sec
Open score
Misc tunes
24 sec
Open score
Misc tunes
48 sec · Score #225078
Open score
Misc tunes
48 sec · Score #221640
Open score
Misc tunes
48 sec · Score #13833
Open score
Trad. Irish
1 min 24 sec
Open score
Misc tunes
31 sec
Open score
Misc tunes
49 sec · Score #251206
Open score
Misc tunes
48 sec · Score #139947
Open score
Misc tunes
7 sec
Open score
Misc tunes
1 min 24 sec · Score #80737
Open score
Misc tunes
1 min 24 sec · Score #141221
Open score
Misc tunes
24 sec
Open score
Misc tunes
24 sec
Open score
Misc tunes
P1 · 1 min 16 sec
Open scorePage 1 of 3
The scores differ in opening metre and key: two are in 6/8, in D major and G major, while the "2nd Setting" is in 4/4 with no sharps or flats. If you need a compound-metre version, start with one of the 6/8 scores; if you need the setting labelled as a jig and a second setting, use the 4/4 score. The titles and signatures are the only verified differences supplied here.
One score is titled "The Lark in the Morning (2nd Setting) (jig)". That label is useful for identifying the setting, but the records do not establish that every version of the tune is a jig, nor that the label describes the same rhythmic character as the 6/8 scores. Read the notation rather than relying on the label alone.
Two scores name no composer. The third carries "after Sg't J. O'Neill", which may point to a version derived from O'Neill's setting, but the records do not identify O'Neill or confirm authorship. Treat the credit as a lead for further checking, not as proof of a composer.
Opening key signatures can help match a score to your instrument or preferred fingering, and the time signature tells you the notated metre. These details do not indicate difficulty, so compare the actual notes before deciding which setting suits you.
Catalogue duration 1 min 24 sec. Opening key signature: 1 sharp (G major). Opening time signature: 6/8.
Catalogue duration 48 sec. Opening key signature: 2 sharps (D major). Opening time signature: 6/8.
Catalogue duration 26 sec. Opening key signature: No sharps or flats. Opening time signature: 4/4.
The Lark in the Morning is the shared title of three separate scores. Two are in 6/8 and one is in 4/4; one is explicitly called a "2nd Setting" and a jig. The records do not identify a single original composer or a definitive version.
The Lark in the Morning appears here in two 6/8 settings and one 4/4 setting. The 4/4 score is the one titled "2nd Setting" and marked as a jig, though its opening time signature is 4/4; the two 6/8 scores carry no jig label in their titles.
The three scores for The Lark in the Morning begin in D major (two sharps), G major (one sharp), and a key with no sharps or flats. Those signatures describe the opening only; the listings do not show whether the key changes later.
One score is credited "after Sg't J. O'Neill". The records do not explain whether this credit refers to a source melody, an arrangement, or a named setting, and no original composer is confirmed.
The three scores share a title but differ in metre, key and length, so they should be compared as separate settings rather than assumed to be identical. One is explicitly labelled a second setting.