
Tom Jones
Misc tunes
24 sec · Score #33695
Open scoreTom Jones sheet music in this collection is best approached as traditional or unattributed material rather than a single authenticated composition. The selected scores all open in D major and 6/8, with tempo indications that vary, so compare versions before choosing.
Scores 1–20 of 21

Misc tunes
24 sec · Score #33695
Open score
Misc tunes
10 sec · Score #245980
Open score
Trad
55 sec
Open score
Misc tunes
24 sec · Score #100139
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Misc tunes
48 sec · Score #165528
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Misc tunes
16 sec
Open score
Misc tunes
10 sec · Score #11256
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Misc tunes
2 min 8 sec · Score #251221
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Misc tunes
10 sec · Score #218639
Open score
Misc tunes
2 min 8 sec · Score #22789
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Misc tunes
48 sec · Score #50232
Open score
Misc tunes
16 sec · Score #82911
Open score
Misc tunes
24 sec · Score #220016
Open score
Misc tunes
12 sec
Open score
Misc tunes
24 sec · Score #116847
Open score
Misc tunes
36 sec
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Rutherford 1759
16 sec
Open score
Misc tunes
16 sec · Score #214500
Open score
Misc tunes
16 sec
Open score
Misc tunes
12 sec
Open scorePage 1 of 2
The selected Tom Jones scores share an opening key of D major and an opening time signature of 6/8. One is explicitly labelled folk and credited to “Trad”; the others are anonymous. Tempo information is inconsistent: one score opens at 65 BPM, another at 150 BPM, and the third gives no opening tempo. These details describe individual scores, not a definitive version of the tune.
A 6/8 time signature is compound duple: six quaver beats are grouped into two main dotted-crotchet pulses. That can give the music a lilting feel, but the actual character depends on the specific setting and tempo. When practising a Tom Jones score, count the two larger pulses first, then subdivide each into three quavers.
Check the opening key and time signature, any tempo marking, and the title wording of each score. The available listings do not provide verified information about instrumentation, arrangement level or difficulty, so they cannot establish which version is easiest or most suitable for a particular player. A score preview or the complete notation is more useful than the title alone.
The title “Tom Jones” is shared by a traditional tune, a well-known singer and a novel, so context matters. In these listings, the traditional attribution and folk label point away from the singer’s repertoire, but the evidence is partial: two scores have no composer credit and no supplied source confirms a single origin for every piece with this title.
Catalogue duration 24 sec. Opening key signature: 2 sharps (D major). Opening time signature: 6/8.
Catalogue duration 10 sec. Opening key signature: 2 sharps (D major). Opening time signature: 6/8. Opening tempo: 150 BPM.
Catalogue duration 55 sec. Opening key signature: 2 sharps (D major). Opening time signature: 6/8. Opening tempo: 65 BPM.
The available scores point to a traditional tune called “Tom Jones,” not to songs by the Welsh singer.
A named composer is not identified in the available listings. One score is credited to “Trad” and another to “Misc Traditional,” while the third has no composer credit, so the music is best treated as traditional or unattributed unless a verified edition says otherwise.
The selected Tom Jones scores all begin in D major with a 6/8 time signature. Those details describe the opening of each listed score; they do not prove that every version, or every later section, stays in the same key or metre.
A 6/8 time signature groups six quaver beats into two dotted-crotchet pulses, giving a compound-duple feel. For a tune such as Tom Jones, that can suggest a lilting pulse, but the character still depends on the specific setting and tempo.
The supplied tempo indications differ: one score opens at 65 BPM, another at 150 BPM, and the third gives no opening tempo. Those figures describe only the start of each score and should not be taken as a complete performance tempo.
One of the selected scores is labelled folk and credited to “Trad”; the other two carry no genre. That supports a traditional folk association for at least one version, but the listings alone do not establish a single folk origin for every piece titled Tom Jones.