O sacrum convivium - Thomas Tallis
O sacrum convivium - Tallis
Soprano; Alto 1; Tenor +1 parts · 5 min 31 sec
Open scoreO Sacrum Convivium sheet music
O Sacrum Convivium sheet music on TuneViva currently points to three separately labelled vocal settings: one attributed to Thomas Tallis, one to Roberto Remondi and one to Giovanni Battista Pergolesi. Because the same title appears under different composers, compare voice parts, opening key and listed duration before choosing a score. The entries describe individual scores rather than a single definitive work.
Scores 1–20 of 28
Sheet music
O sacrum convivium - Roberto Remondi
O sacrum convivium - Remondi
Soprano I; Alto · 1 min 36 sec
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O sacrum convivium - Giovanni Battista Pergolesi
Giovanni Battista Pergolesi
Soprano; Contralto; Tenore +1 parts · 6 min 19 sec
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O sacrum convivium - Dodat de Sverac
Dodat de Sverac (1872-1921)
Soprano; Alto; Ténor +2 parts · 1 min 41 sec
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O sacrum convivium - Ludovico da Viadana
O sacrum convivium - Viadana
Soprano; Alto; Tenor +1 parts · 2 min 6 sec
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O sacrum convivium - Giovanni Croce
O sacrum convivium - Croce
Soprano; Alto; Tenor +1 parts · 1 min 59 sec
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O sacrum convivium - Francesco Feroci
Francesco Feroci
Tenor 1; Tenor 2; Bass · Arr. ed. Jeffrey Quick · 2 min 4 sec
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O Sacrum Convivium
Giovani Battista Pergolesi (1710-1736)
Soprano; Contralto; Tenore +1 parts · 6 min 19 sec
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O sacrum convivium - William Byrd
O sacrum convivium - Byrd
Soprano; Alto; Tenor +1 parts · 2 min 33 sec
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O sacrum convivium - Jacques Arcadelt
Arcadeltedit BMarble
Copyright 2015 by CPDL. This edition can be fully distributed duplicated performed and recorded.
Soprano; Alto; Tenor +1 parts · 6 min 22 sec
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O Sacrum Convivium - Croce
Giovanni Croce
Voice · 8 min 23 sec
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O sacrum convivium - Enrico Vercesi
Enrico VercesiPortalbera 19.IV.2014
Soprano; Alto; Tenor +1 parts · 7 min 6 sec
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O sacrum convivium - Paolo Teodori
Paolo Teodori
Soprano; Alto; Tenore +1 parts · 48 sec
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O sacrum convivium - Richard Farrant
Richard Farrant
Sopran; Alt; Tenor +1 parts · 3 min 13 sec
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O sacrum convivium - Giovanni Battista Polleri
O sacrum convivium - Polleri
Soprano I; Soprano ii; Alto · 2 min 18 sec
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O sacrum convivium - J. Grimm
J. Grimm
(Antiphona)
P1 · 51 sec
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O sacrum convivium - Giovanni Giorgi
Giovanni Giorgi
Soprano; Alto; Tenor +1 parts · 4 min 27 sec
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O sacrum convivium - Joachim Kelecom
Joachim Kelecom
Soprano; Alto; Tenor +2 parts · 2 min 33 sec
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O sacrum convivium - Richard Dering
Richard Dering
Soprano; Bass; MusicXML Part · 2 min 16 sec
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O sacrum convivium - Costanzo Porta
Costanzo Porta
Cantus; Altus; Tenor +1 parts · 5 min 43 sec
Open scorePage 1 of 2
Three settings, not three editions
TuneViva groups several items under the title O Sacrum Convivium, each carrying a different composer name. The Tallis and Pergolesi items are listed for four voice parts, while the Remondi item is listed for two. Treat each as a separate candidate score and select by the composer and scoring you need, rather than assuming they are alternative editions of one composition.
Compare the voice layout first
The Tallis-labelled score lists soprano, alto 1, tenor and bass. The Pergolesi-labelled score lists soprano, contralto, tenore and basso. The Remondi-labelled score lists soprano I and alto. These part labels are practical starting points for matching a score to available singers, but they describe the listed score and should be checked against the edition if original scoring matters.
Use key, metre and tempo as selection clues
Opening details differ across the three entries: the Tallis score has no sharps or flats in 2/2 at 90 BPM; the Remondi score is in E-flat major in 4/4 at 63 BPM; and the Pergolesi score has one flat, given as F major, in 2/2 at 100 BPM. These values help distinguish the scores, but tempo figures in particular may reflect an editorial or file-level marking rather than a composer’s instruction.
Check attribution and edition before performance
The shared title and differing composer labels make attribution the central practical question. The available score entries do not identify a publisher, editor, or whether the music is an original composer version or an arrangement. Before using one for performance or study, confirm the composer, edition and completeness against a reliable score.
Scores to open first
- O sacrum convivium - Thomas Tallis
Score parts: Soprano, Alto 1, Tenor, Bass. Catalogue duration 5 min 31 sec. Opening key signature: No sharps or flats. Opening time signature: 2/2. Opening tempo: 90 BPM.
- O sacrum convivium - Roberto Remondi
Score parts: Soprano I, Alto. Catalogue duration 1 min 36 sec. Opening key signature: 3 flats (E♭ major). Opening time signature: 4/4. Opening tempo: 63 BPM.
- O sacrum convivium - Giovanni Battista Pergolesi
Score parts: Soprano, Contralto, Tenore, Basso. Catalogue duration 6 min 19 sec. Opening key signature: 1 flat (F major). Opening time signature: 2/2. Opening tempo: 100 BPM.
Related collections
Common questions
Which composers are represented by the O Sacrum Convivium scores?
TuneViva lists O Sacrum Convivium settings attributed to Thomas Tallis, Roberto Remondi and Giovanni Battista Pergolesi. These are separate items under the same title rather than interchangeable editions of one work; the composer attributions should be checked against an authoritative edition before performance.
What voice parts are listed for the Tallis O Sacrum Convivium score?
The Tallis-labelled O Sacrum Convivium score lists soprano, alto 1, tenor and bass parts. Its opening details give no sharps or flats, a 2/2 time signature and a tempo of 90 BPM; these describe the listed score rather than a definitive edition.
How does the Remondi O Sacrum Convivium setting differ in scoring?
The Remondi O Sacrum Convivium setting is listed for soprano I and alto, a two-part upper-voice layout, while the Tallis and Pergolesi entries list four voice parts. Its opening key is given as E-flat major, with a 4/4 time signature and a tempo of 63 BPM.
What opening keys and time signatures appear in the O Sacrum Convivium scores?
The Tallis entry opens with no sharps or flats in 2/2; the Remondi entry opens in E-flat major in 4/4; and the Pergolesi entry opens with one flat, given as F major, in 2/2. These details come from the listed scores and may differ in other editions.
Which O Sacrum Convivium setting has the longest listed duration?
The Pergolesi setting has the longest listed duration at about 6 minutes 19 seconds, followed by the Tallis setting at about 5 minutes 31 seconds and the Remondi setting at about 1 minute 36 seconds. Durations describe the listed scores and should not be treated as fixed performance times.
Do the O Sacrum Convivium scores identify whether they are original versions or arrangements?
The listed O Sacrum Convivium scores do not state whether each is an original composer version or an arrangement; they supply titles, composer labels and voice parts only. Compare the edition information before choosing one for performance or study.