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Salve Regina sheet music

Salve Regina is a title shared by several different pieces rather than a single fixed work. The scores gathered here include a three-part traditional setting, Johann Michael Haydn's Salve Regina in D, MH 30, and a score labelled as a Gregorian melody. Because their scoring and musical character differ, compare instrumentation, texture and key details before choosing sheet music for performance or study.

Scores 1–20 of 34

Sheet music

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A title shared by different kinds of piece

The name Salve Regina appears on scores that are not simply alternative editions of one composition. Among the versions shown are a three-part traditional setting, a larger setting by Johann Michael Haydn in D, MH 30, and a score labelled 'Meloda gregoriana'. Treat each as a separate piece and check its scoring before assuming it will match another version.

Compare the forces before choosing

The Haydn setting lists two clarini, two violins, voice and organ, with an opening in 3/4. The traditional three-part setting lists three parts in 4/4 with no sharps or flats. A small ensemble may find the three-part texture more practical, while the Haydn score needs a larger group. Match the listed instruments and ranges to your players, and inspect the opening pages before committing.

Check the notation, not only the title

Titles and part lists can be incomplete or misleading. Look at clefs, ranges, key signatures and the first few bars to confirm whether a score is a vocal chant, an organ piece, or a concerted setting for voices and instruments. The score labelled 'Meloda gregoriana', for example, lists a pipe-organ part, so its exact relationship to Gregorian chant needs checking in the notation.

What the listings cannot settle

The available records do not provide authoritative attribution for every version, and 'Salve Regina (Tr91)' is listed without a composer or an explanation of 'Tr91'. Historical context, liturgical use and completeness of a setting should be confirmed against the score itself or a reliable reference source rather than inferred from a title alone.

Scores to open first

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Common questions

Is Salve Regina one piece or several different works?

Salve Regina is a title used for multiple distinct pieces rather than a single fixed work. The scores listed under this title include a three-part traditional setting, Johann Michael Haydn's Salve Regina in D, MH 30, and a score labelled as a Gregorian melody. Each has its own scoring and musical shape, so they should be treated as separate choices rather than interchangeable versions of one piece.

What scoring does Johann Michael Haydn's Salve Regina in D, MH 30 use?

The listing for Johann Michael Haydn's Salve Regina in D, MH 30 shows parts for two clarini, two violins, voice and organ, with an opening in 3/4 time. Those details describe that particular score. Check the first pages before planning a performance, since imported part lists can be incomplete or misleading.

Which Salve Regina version suits a small ensemble?

A small ensemble may find the three-part traditional setting the more practical starting point, because its listing shows three parts rather than the seven parts shown for the Haydn setting. The Haydn score calls for voice, strings, clarini and organ, so it needs a larger group. Match the listed instrumentation and ranges to your players, and inspect the score before committing.

Is there a Gregorian chant version of Salve Regina in these scores?

One score is labelled 'Meloda gregoriana', which points to a Gregorian melody, but its listed part is pipe organ rather than a vocal line. That may indicate an organ arrangement or a labelled melody; the listing alone does not prove how the chant is presented. Check the notation to see whether it is a single vocal line, an organ piece, or an arrangement.

How can I tell whether a Salve Regina score is chant or a concerted setting?

Look at the scoring and texture. A single unaccompanied vocal line suggests chant, while a score with voice, strings, clarini and organ, such as the Haydn setting, is a concerted ensemble work. Key and time signatures also help: the traditional three-part setting opens in 4/4 with no sharps or flats, while the Haydn opens in 3/4. These details are starting points, not proof of genre.

What does the title Salve Regina (Tr91) mean?

The title 'Salve Regina (Tr91)' does not explain what Tr91 refers to, and no composer is named for that score. The listing describes a three-part piece in 4/4 with no sharps or flats. Treat the attribution and the meaning of Tr91 as unresolved until the score itself or an authoritative source clarifies them.