
O salutaris hostia - Anthony Werner
O salutaris - Werner
Soprano; Alto; Tenor +1 parts · 1 min 4 sec
Open scoreO Salutaris Hostia sheet music on this page includes four-part vocal settings attributed to Ludwig van Beethoven and Anthony Werner. The available scores are laid out for soprano, alto, tenor and bass, and their opening details differ: the Beethoven-attributed settings are in 4/4, while the Werner-attributed setting is in 3/4. Both show an opening key signature of four flats (A♭ major). Composer names should be checked against a reliable edition before being treated as definitive.
Scores 1–20 of 27

O salutaris - Werner
Soprano; Alto; Tenor +1 parts · 1 min 4 sec
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O salutaris hostia - Beethoven
Soprano; Alto; Tenor +1 parts · 1 min 10 sec
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Ludwig van Beethoven
Soprano; Alto; Tenor +1 parts · 1 min 10 sec
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Anonymous XVIII s.polish Hymn:Gaude Mater Polonia
P1; P2 · 1 min 57 sec
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O salutaris hostia - Martini
Tenor I; Bass · 50 sec
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Anonymous mid-16thc. EnglishGyffard Partbooks No. 50
Soprano; Alto; Baritone · 2 min 20 sec
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O salutaris hostia - Cesar Franck
Soprano; Alto; Accomp. · 2 min 42 sec
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O salutaris hostia - Tallis
Soprano; Alto; Tenor +2 parts · 4 min 50 sec
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O salutaris hostia - Palestrina
Soprano; Alto; Tenor +1 parts · 1 min 20 sec
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O salutaris - Webbe
Soprano; Alto; Tenor +2 parts · 1 min 5 sec
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Josquin des Prez, also attributed to Gaspar van Weerbecke (14451516)
CANTUS; ALTUS; TENOR +1 parts · 51 sec
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William Byrd
Choral Public Domain Library 2010
Alto; Tenor; Bass · 6 min 40 sec
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Daniel-Franois-Esprit Auber (1782-1871)
P1; P2; P3 +3 parts · 1 min 53 sec
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O salutaris hostia - Pisari
Tenor I; Bass · 1 min 24 sec
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O salutaris hostia - Palestrina
Soprano; Alto; Tenor +1 parts · 2 min 9 sec
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Ignatio Donati
Bass; BC · 2 min 41 sec
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O salutaris hostia - del la Rue
Soprano; Alto; Tenor +1 parts · 1 min 31 sec
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Jan Antonin Kozeluharr. BMarble
Copyright 2014 by CPDL. This edition can be fully distributed duplicated performed and recorded
SOPRANO; ALTO; TENOR +3 parts · 3 min 35 sec
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Adrian Willaert
MusicXML Part · 4 min 19 sec
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Lambert Pietkin (1613-1696)Sacri concentus Op. 3(Liege: Streel 1668)
Tenor 1; Tenor 2; Tenor 3 +1 parts · Arr. ed. Jeffrey Quick · 2 min 16 sec
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The O Salutaris Hostia scores described here list soprano, alto, tenor and bass parts, indicating four-part vocal writing. This SATB layout is consistent across the Beethoven-attributed and Werner-attributed entries. The available score details do not confirm original instrumentation, accompaniment, or whether each entry represents a complete liturgical work.
The Beethoven-attributed scores open in 4/4; where tempo is shown, the opening tempo is 120 BPM. The Werner-attributed score opens in 3/4 at 96 BPM. Both use an opening key signature of four flats, given as A♭ major in the records that spell it out. These opening details are useful for comparison but do not describe the full character or structure of either setting.
The names Ludwig van Beethoven and Anthony Werner appear as attributions in the available scores. Treat the composer names as leads for verification rather than as settled facts.
Compare the voice parts, opening key, metre and tempo shown for each O Salutaris Hostia score, then examine the complete music if it is available. The supplied details are not sufficient to identify one setting as authoritative or to judge which version suits a particular choir, service or study purpose.
Score parts: Soprano, Alto, Tenor, Bass. Catalogue duration 1 min 4 sec. Opening key signature: 4 flats (A♭ major). Opening time signature: 3/4. Opening tempo: 96 BPM.
Score parts: Soprano, Alto, Tenor, Bass. Catalogue duration 1 min 10 sec. Opening key signature: 4 flats (A♭ major). Opening time signature: 4/4. Opening tempo: 120 BPM.
Score parts: Soprano, Alto, Tenor, Bass. Catalogue duration 1 min 10 sec. Opening key signature: 4 flats. Opening time signature: 4/4.
The O Salutaris Hostia settings described here are scored for soprano, alto, tenor and bass. This SATB layout appears in both the Beethoven-attributed scores and the Werner-attributed score. The available details do not confirm whether this was the composer’s original scoring or whether any version includes accompaniment.
The Beethoven-attributed O Salutaris Hostia scores open in 4/4, with 120 BPM given where tempo is shown. The Werner-attributed setting opens in 3/4 at 96 BPM. Both show an opening key signature of four flats (A♭ major). These are opening-score differences, not a complete comparison of the settings.
Some O Salutaris Hostia scores here are attributed to Ludwig van Beethoven, but the supplied material does not independently confirm that attribution. The title also appears in a setting attributed to Anthony Werner. Check the composer name against a reliable edition or reference before relying on it.
The available O Salutaris Hostia scores show an opening key signature of four flats, identified as A♭ major where the key is spelled out. This describes the opening of the scores, not necessarily the key of the entire setting.
The supplied scores do not establish a single standard version of O Salutaris Hostia. Settings attributed to Ludwig van Beethoven and Anthony Werner differ in opening metre and tempo, which suggests more than one setting or version is represented.